![]() For example, you may want to choose different kit sounds for the verses and choruses! You can decide later which to use, or even cut between them. Alternate versions of the mix can be achieved simply by changing the drum sounds for each mix.Leave sound choices until the final mix, once you have recorded other instrument parts to make sure that they all blend together well.MIDI recording uses very little space compared to audio, so you can continue recording as many takes as you like without using vital hard drive space.You can even change a straight feel to a swung feel for a completely new performance. Alter each note of your performance if you make a mistake or remove notes completely if you overplay.The big advantage of recording via MIDI is that you can leave sound choices until later and just concentrate on the performance. Mix the audio as a final stereo file for release.Utilize any audio effects such as EQ, compression or reverb.Record the resultant external audio into one or more tracks.Choose and tweak your ideal sounds either from your sound module or plug-in sound library.Playback and edit the note performance.Record your MIDI performance into your sequencing program.Here are the typical steps for the second method: It offers both creativity in the recording process and the best control over the final sound mix. Many musicians find this second method, of capturing a MIDI performance and then adding audio later, to be an excellent procedure for studio work. This method also offers editing options later, using the MIDI data and any other sound source. This first method of recording MIDI and stereo audio together is useful when capturing a live performance with a band, to give you instant audio playback when the module is no longer available. MIDI and stereo audio recording with the TD-27 When doing this, be sure to turn MIDI local control off on your V-Drums kit, to avoid hearing locally played kit sounds AND the notes coming back in the MIDI IN at the same time.* *NOTE: You can also use the conventional MIDI DIN plug connections of the TD-27 to record a MIDI performance into your existing audio/MIDI interface. This is very useful, as the backing track you are playing to, along with the click, each have their own controls on the front panel of the TD-27. You can even hear a four channel playback from the recording software while tracking, using the TD-27’s 28×4 drivers. Using the USB MIDI/Audio port alone, you can record both the MIDI performance and multiple tracks of audio at the same time. There are essentially two recording methods to use with your TD-27 kit. Let’s jump right into combined MIDI and audio recording with the TD-27, as it offers the most flexibility and ultimately, the best sound for your final mix. See our MIDI versus Audio article for information on recording audio and MIDI. But which recording method should you use? The Roland TD-27 based TD-27KV and VAD-506 & VAD-503 kits are so easy to record.įor connection and recording options, there are four analog audio outputs along with conventional MIDI IN/OUT and multi-channel USB Audio/MIDI. Recording the TD-27 equipped VAD-503/ 506 series V-Drums You will be able to achieve great results, with just basic connections and knowledge. The aim of this V-Drums recording masterclass article series is to break down and simplify the process of recording electronic drums. ![]() Sound decisions can always be decided later. V-Drums are ideal for recording yourself, because their simplicity means you can focus on your actual performance, safe in the knowledge that every note will be captured perfectly. Say goodbye to specially designed studios, noise problems and studio hire fees, allowing you to relax, focus on the music and just play. When recording V-Drums, you can forget about tuning, muffling, microphone positioning and microphone preamplifiers. ![]() The TD-27 will fit quickly into a recording space and with unlimited sound and performance possibilities, your options for creativity are increased dramatically. Fortunately, there are ways to minimize your work flow and maximize your performance!Ĭontributed by Simon Ayton for Roland Corporation Australia Enter Electronic Drums…Ĭompared to recording acoustic drums, recording electronic drums is simple. Recording electronic drums is simple when compared to recording acoustic drums.Īcoustic drum recording is considered by many people to be an art form.įinding the balance between equipment, knowledge, patience and money that works for your project is a skill that comes with experience and time.īeing a collection of various percussion instruments, a drum kit requires different types of microphones and positioning to make one cohesive drum kit sound.Ĭapturing a great performance is difficult when you’re also the one recording the drums. This article covers the best and easiest way to record TD-27 V-Drums.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |